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Training your internal senses
As many of you know I teach tennis strokes by feel and
not mechanics, much like a child learns to ride a bicycle or learns to
walk. The child may be performing daily mechanics as he learns to walk,
but he cannot walk or ride a bicycle until he develops a feel for walking
or riding through repetition. You can walk today because you feel a sense
of timing and a sense of balance from that repetition. And that sense
of timing and balance allows the mechanics of walking to work! A tennis
lesson should be no different. Just because you can perform a stroke mechanically,
does not mean you have functional stroke. Without a feel for that stroke
you may look pretty as you hit, but your results will be dismal.
This is where conventional tennis lessons go astray. Pros
are preoccupied with the exact mechanics of the stroke, giving the impression
to the student that the mechanics performed properly is the stroke. You
may be thinking... “well isn’t it?” Answer, not even close!
I have seen thousands of players hit the so-called perfect
stroke and send the ball sailing miles out! Meanwhile, the pros who do
not have the so-called perfect stroke are hitting the balls in the court
consistently! They do this by feel. Unless you have developed a feel from
training the internal skills or senses you will have a superficial stroke
that will inevitably break down under pressure.
You must learn to execute all your strokes by feel. How
do you develop this feel? You develop this feel by training four internal
senses by massive repetition. Those senses are:
1. Timing
2. Judgement
3. Balance
4. Muscle sense
All four of these internal senses combine together to form
a whole, creating a ‘feel’ for a given shot. And that ‘feel’ allows the
mechanics to work correctly. If you have a feel for a stroke you can improvise
to make a shot. When you are all mechanics the ball had better be in the
exact spot necessary to make the shot or YOU’RE IN TROUBLE! If you have
a feel for a stroke you will identify with the stroke as a whole unit.
If you are all mechanics you will identify with the stroke as individual
parts, which can be mind boggling!
What I just explained about developing the four senses is
why all pros have different styles and different form. Everyone has a
different sense of timing, judgment, balance, and muscle sense. There
are a million ways to swing high to low for slice and a million ways to
swing low to high for topspin. No two pros are the same. Once a pro’s
internal senses are developed as a junior, his own individual style is
revealed. This is accomplished by hitting thousands and thousands and
thousands of balls. They may not look like the books explain or illustrate,
but the results speak for themselves!
As juniors, pros may have had some lessons on the technical
skills, but it was not until their internal senses were developed through
repetition that their own individual style was revealed
I remember reading about Bjion Borg and his big looping
forehand with the western grip. Even though coaches tried to change his
forehand, Borg just kept hitting it because he said it just felt natural.
As you know, the rest is history. The big looping forehand has become
a common shot on the pro circuit and has changed tennis forever!
You too should learn to develop your own style through massive
repetition. Yes, it’s fine to take lessons, but do not rely on the technical
to make you a good player. Instead rely more on training your internal
senses, your sense of timing, your sense of judgment, your sense of balance,
and your muscle sense to the point where you begin feeling the stroke,
even if the stroke is not book perfect. Who knows, maybe you will change
the face of tennis again!
When you train with emphasis on mechanics you become more
robotic and rigid. When you train with emphasis on feel you become more
natural and automatic...just like a pro! Eliminate from your mind this
notion of the perfect mechanical stroke. That notion will hamper your
freedom on the court to express your own style and form and to just be
you! Instead, learn to develop your internal senses through hours and
hours of practice on the tennis court.
Let me leave you with a response from Bjiorn Borg in his
book “Borg on Borg.” Below is the interviewer’s question and Borg’s answer
exactly as it appears in the book.
Question: You are the best player in the world and lots
of people try to imitate your style. It has been said you don’t like to
be imitated. Is this true?
Bjiorn Borg - “ I know lots of players try to imitate me
and I’m not sure that’s a good thing for them. I think it’s better to
find your own personal style, as Mr. Bergelin [his coach] has said, rather
than imitating someone. Playing like me might go right against the personality
of the player who’s trying to do it.
I think it’s difficult to play as I do. You have to be
very quick if you have a two-handed backhand, because you have to be nearer
the ball when you hit it, so you have to get to it sooner. I see lots
of young people trying to put on top-spin like Vilas and myself. I have
nothing against it. It might even be a good idea, because it’s difficult
to play against opponents who put a lot of top-spin on the ball. But the
most important thing is to feel at home playing your strokes. Everything
else, slice or top-spin will follow naturally. Find the style that suits
you best.”
How do you like those last few lines? “But the most important
thing is to FEEL at home playing your strokes. Everything else, slice
or top-spin will follow naturally. FIND THE STYLE THAT SUITS YOU BEST.”
This information was from a book written in 1979. It’s now
2003! Do you think the tennis world will ever get it? :)
Tom Veneziano
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Copyright © 2001 Tom Veneziano. All rights reserved
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